The day after finishing The Traitor Baru Cormorant I had to rush over to the library to pick up book 2, The Monster Baru Cormorant, which I finished earlier today.

Spoilers for The Traitor Baru Cormorant below!

 

The second book of a fantasy series of any kind often bears a very difficult burden. It is most often the place where the scope of the story grows significantly. A conflict which before was local to the protagonist's home and surrounding area may expand, often to the extent of the known world. New players are often added to the cast, bigger and scarier problems and challenges arise. The protagonist may have gone up in the world, wielding new power and influence, with new responsibilities. As a result, this is where many series lose their footing; a tightly-woven book or season 1 may give way to a muddled, watered down part 2 as the writers struggle to juggle this expanded focus. 

 

The Monster suffers from none of those things. It is the place where Baru's story expands—in The Traitor, her focus was almost entirely on Aurdwynn; it was the full field of play and outside players mattered only as they influenced events on Aurdwynn. In The Monster, Baru has become a true agent of the Imperial Throne of Falcrest, and with these new powers, the entire field of the empire is opened up for her play, and it is fascinating to watch. 

 

In The Traitor, Baru was narrowly focused on managing the situation in Aurdwynn; everything she did was to that end. In The Monster, Baru can do whatever she wants, and we get to see her finally on the open field. Even where she flounders and flails, it's delightful to watch the machinations of her mind constantly at work.  Her cleverness rows against her bursts of sentimentality to produce some impressively chaotic effects, but she is as slippery as an eel to pin down, even when her rivals think they've gotten the best of her.

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I don't actually remember where I saw Catriona Ward's Sundial recommended, but it was somewhere and convincing enough to get it on my TBR. I finished the audiobook this week so it's time to reflect.

 

Sundial is a domestic psychological thriller which focuses on the relationship between the protagonist Rob and her eldest daughter Callie. Or at least, that's what the novel summary posits. A good 50% or more of the book is actually about Rob's youth and her relationship with her childhood family, primarily her twin sister, Jack. I didn't get that at first, which led to me being slightly frustrated by the length of the "flashback" sections until I realized that they were at least half the true focus of the story.

 

Ward excels in capturing the petty toxicity of a domestic environment gone sour. Especially deftly handled are the ways in which a partner can wound in such seemingly mundane ways. Many of the exchanges between Rob and her husband, Irving, come off as completely innocuous to an outsider, but to the two people in the relationship, who have the context for these seemingly nothing interactions, the full cruelty of them is on display. This adds completely believably to the tension between Rob and Callie, who has long favored her father, and who sees her mother's responses as hysterical overreactions, because she doesn't have the context that Rob does. Ward also very neatly portrays a truly vicious marriage, where both parties have given up pretending they want to be together, at least to each other, and where the entire relationship has become an unending game of oneupsmanship, trying to get one over on your spouse.

 

Adding to this suffocating atmosphere is Callie, a very strange 12-year-old who is starting to exhibit some very troubling behavior, particularly in her interactions with her 9-year-old sister, Annie. Rob has always struggled to connect with Callie—in contrast with Irving, who happily spoils her to force Rob to be the bad guy enforcing boundaries—but when Callie is thought to have attempted to poison Annie with Irving's diabetes medication, Rob decides it's time she and Callie have a real heart-to-heart. 

 

So she takes Callie on a mother/daughter trip to Rob's childhood home, Sundial, an isolated family property out in the Mojave desert.